ARIA Report, issue 848" (PDF). ARIA. Archived from the original (PDF) on 19 June 2006 . Retrieved 7 September 2008.

The album also holds the domestic record as the fastest-selling release on the Echo Label, in terms of time taken to go platinum. The compilation shipped its 300,000th copy just under three months after its release date, beating the previous record held by the Moloko studio album Things to Make and Do, which had taken six months. The album is seen by many corners of the British music press as a large commercial success. Feeder’s winning combination seems to have been adrawer full of good hooks and pop tunes, enhanced bysinger Grant Nicholas and a vocal delivery thatfreely emotes. And despite the obstacles that havebeen placed before them, the band have comfortablyoutlasted many of their contemporaries. a b "The Singles – full Official Chart History". Official Charts Company . Retrieved 15 October 2016.

Find sources: "The Singles"Feeder album– news · newspapers · books · scholar · JSTOR ( November 2009) ( Learn how and when to remove this template message) In January 2002, Jon Lee died at home in Miami. [39] The band kept out of the public eye for most of the year. It was during this time that lead-singer Grant Nicholas wrote a series of songs relating to their emotions and reactions to Jon's death, which formed their fourth album Comfort in Sound. The band brought in former Skunk Anansie and Little Angels drummer Mark Richardson, whom Grant first met in 1994, when Feeder went on tour with Richardson's then-band, B.l.o.w. [40] We Are the People": "Official Scottish Singles Chart". Official Charts Company . Retrieved 12 July 2023. Feeder Instore Gig This Monday". tourdates.co.uk. Archived from the original on 31 January 2012 . Retrieved 10 August 2010. Feeling A Moment" / "Pushing The Senses" did not enter the UK Singles Chart, but peaked at number 65 on the UK Single Sales Chart. [1]

EMI Chrysalis News Archive article- August 2003". chrysalis.com. Archived from the original on 3 February 2007 . Retrieved 1 March 2007. Do They Know It's Christmas?": "Official Scottish Singles Chart". Official Charts Company . Retrieved 12 July 2023. The campaign in total spawned four UK top 40 singles, which included " Shatter", a reworked version of the "Tumble and Fall" b-side that became a double A-side with "Tender" (#11), [20] released following a fan-petition to see "Shatter" released as a single in its own right. [69] Other singles included " Tumble and Fall" (top five), " Feeling A Moment" (No. 13), and " Pushing the Senses" (No. 30). [20] The album was after ten weeks on sales of 111,214 units, 22 percent ahead of Comfort in Sound at that stage. [70] However, the album did not keep up this momentum while also not going platinum. The last reported sales were that of 160,183 in October of the same year, [71] which fell below Echo's expectations. [72] It is however the band's most successful record based on peak chart positions in each country of release, while also being their only album so far to spawn a charting single outside of the UK and Ireland when "Feeling a Moment" peaked at No. 32 in Australia. [73] Feeder already at the time charted four top 50 singles in Ireland, with "Tumble and Fall" being their first and only top 40 to date reaching a peak position of No. 26. [46] The album itself made the Irish top 20 artist album chart at No. 16, one week before its UK release. [46]Cover of the Frankie Goes to Hollywood #1 hit, recorded for a War Child charity album. Later appeared as a b-side on "Just the Way I'm Feeling" in 2003 and "Snowblind" in 2018, the Japanese Find the Colour mini-album and Picture of Perfect Youth. Q "Silent Cry" review". feederscrapbook.co.uk. Archived from the original on 28 July 2011 . Retrieved 21 July 2010. Side By Side": "Official Scottish Singles Chart". Official Charts Company . Retrieved 12 July 2023. a b "Kerrang!- "Echo Park" review". feederscrapbook.co.uk. Archived from the original on 28 July 2011 . Retrieved 12 October 2008. Forget About Tomorrow": "Eurochart Hot 100 Singles" (PDF). Music & Media. Vol.21, no.22. 24 May 2003. p.12 . Retrieved 5 September 2021.