Where debut ‘About U’ fostered their dark-pop label, MUNA have expanded their horizons on follow-up ‘Saves The World’. It’s here that Katie Gavin, Naomi McPherson and Josette Maskin have enabled themselves to soar, breaking free from the shackles of failed relationships. They'd been dropped by RCA, and there was little in terms of income, no adrenaline to work off of, no live shows with audiences reminding them of the succor their songs provide. All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988. If About U was the tender love child of the Cocteau Twins and Depeche Mode; Saves the World is an unpredictable teenager getting into '90s rom-com soundtracks and self-help podcasts.

What other band could have stamped the forsaken year of 2021 with spangles and pom-poms, could have made you sing (and maybe even believe) that “Life’s so fun, life’s so fun,” during what may well have been the most uneasy stretch of your life? The band's period of uncertainty and open questioning burned everything away, leaving a feat of an album - the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves.The synth on “What I Want” scintillates like a Robyn dance-floor anthem; “Anything But Me,” galloping in 12/8, gives off Shania Twain in eighties neon; “Kind of Girl,” with its soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. For Naomi McPherson, MUNA's guitarist and producer, it was a "song for kids to have their first gay kiss to. Having switched camps from a major label to Phoebe Bridgers' Saddest Factory and with a new self-titled LP in tow, MUNA are releasing their most confident outpouring to date. Like many indie minded artists, the idea of physical media isn’t something millennials embrace unless there’s an eco friendly version of their product that’s released during a limited time at the first start of the release.

Muna is working the source code of pop that pulls at your heartstrings; the album is full of longing and revelation and hard-won freedom.

Saves The World’ carries the same weight as its predecessor, but breaks the dark-pop boundaries the band themselves created with their debut. Saves the World was therapy on a record, and I was starting to see changes in my life, more moments of joy. Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH). With Muna, they did it all by themselves again, with newfound creative assurance and technical ability - in terms of McPherson and Maskin's arrangements and production as well as Gavin's songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace.

Silk Chiffon," MUNA's instant-classic cult smash, featuring the band's new label head Phoebe Bridgers, hit the grey skies of the pandemic's year-and-a-half mark like a double rainbow.

Silk Chiffon,” Muna’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow. And that's what Muna does, in the end: it carves out a space in the middle of whatever existential muck you're doing the everyday dog-paddle through and transports you, suddenly - you who've come to music looking for an answer you can't find anywhere else - into a room where everything is possible, where the disco ball's never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof and self-consciousness only sharpens the swell of joy. They spent much of the early pandemic as a pod, showing up for each other and for Muna - a project that at this point feels bigger than them - even when they weren't sure about anything regarding the future.

It’s marked by a newfound creative assurance and technical ability, both in terms of McPherson and Maskin’s arrangements and production as well as Gavin’s songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace.For Naomi McPherson, Muna's guitarist and producer, it was a "song for kids to have their first gay kiss to. But sometimes, for Muna, after nearly a decade of friendship and a long stretch of pandemic-induced self-reckoning, the most radical note possible is that of bliss. They began making music together in college, at USC, and released an early hit in the 2017 single "I Know a Place," a pent-up invocation of LGBTQ sanctuary and transcendence. I can not believe how much this Muna vinyl LP and their first LP are selling here now for both over 400.